This is Jarvis Cocker, minor deity and rock god. 
Jarvis and I have had a long relationship, a relationship that goes back to 1995.
Picture it: Utah in late February of 1996. Grunge is dead. Eddie Vedder is spending most of his time in Washington D.C. doing god only knows what, Kurt Cobain has been in his grave two years, and most of the new music coming out are the bands that are the copies of the copycats. Sad. What’s a newly minted rebellious 15 year old girl to do?
Right now, everyone firmly believes that the next big thing is going to be Ska and with the Big Band revival a la the Brian Setzer Orchestra there’s a lot of horns playing on the radio. My parents are in Europe with my two youngest sisters. Neither I nor Elizabeth can drive at this point so my cousin Ammon (Whatup, homey?) is “babysitting” us. This entails hanging out and driving us around. We all have tickets to Ska Patty’s Day, a series of rock concerts over a week featuring different Ska bands. We drive between Salt Lake Valley and Utah Valley attending events, skipping school and generally slacking. Ammon is delighted to be driving my father’s delicious little sports car and all of us stay up way too late.
That’s when I met Jarvis.
We got home just after Midnight and having the wonderful metabolisms of youth, did not go directly to bed but instead turned on the TV. It was there, at 2am, that I saw this:
This song was a revelation. Who is this band? we asked ourselves. Are they from the 80’s? No, they weren’t.
I had no idea who they were. I think I heard Pulp once on the radio and that’s how I found out their name. This is pre-internet, people, back in the days when if you were interested in music you had to do a lot of footwork, you know really gumshoe it.
In any case, Pulp and by extension Jarvis Cocker has been with me ever since. He is responsible for my friendship with my friend, Lydia, who was the only other person in my high school who was into them as much as I was or possibly the only other person who even knew who Pulp were.
Jarvis is a lot like David Bowie in that they are both iconoclasts. The iconoclasm of Bowie is in his ability to destroy his own image and then reconstruct himself an entirely new identity all shrouded in lyrics and guitar rifts. Jarvis does a similar thing with his persona but not to the extent Bowie does. His iconoclastic tendencies are more within the way he uses pop music to comment on the world.
Regard the lyrics to Common People:
I took her to a supermarket I don't know why, but I had to start it somewhere so it started there I said "Pretend you've got no money." but she just laughed an said "Oh you're so funny." I said "Yeah? Well I can't see anyone else smiling in here Are you sure? Are you sure you want to live like common people you want to see whatever common people see you want to sleep with common people you want to sleep with common people like me?" But she didn't understand she just smiled and held my hand
No, she didn’t understand. Or what about the amazing and little known “Little Girl With Blue Eyes?“
Little girl (with blue eyes) There's a hole in your heart and one between your legs You've never had to wonder which one he's going to fill in spite of what he said You'll never get away hey you'll give it up one day come what may
Or what about this little passage from “Leftovers”:
And so I come to you filled with guilt and self-loathing And I am praying that you could make me good And so I fall upon your neck just like a vampire Yeah, like a vampire who faints at the sight of blood And I told you once: I wanna be your lover I'm gonna say it again And then I told you twice: I wanna be your lover
So far Jarvis has released two solo albums Jarvis and the just released Further Complications which features at long fucking last a decent song with my name in it (Angie by The Rolling Stones doesn’t count because no one calls me Angie, with the exception of my father on occasion). Behold the video for Angela at the end of this post. First, Jarvis is dressed like a lecherous English professor circa 1976. How awesome is that? Second, Jarvis is basically giving a concert on the steps of some random French doorstep. And Oh, Jarvis! Your dance moves are always so wondrously eccentric!
I could go on and on and on and on . . . okay, but I won’t.
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// // Common People Lyrics
She came from Greece, she had a thirst for knowledge |
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Ah, good times!
Was that really when you discovered Pulp? I guess that was right before Brit-rock made a comeback among the cool and shitty pop among the uncool.
Glad to see that your and Jarvis’s internet affair is going so well.
Don’t tell me you’ve forgotten the most poignant lyrics of all: “Cunts are still running the world”
Oh Jarvis, I adore you.
Yeah, it was. I had a conversation with myself to figure out the dates, but that’s totally when it happened.
In our retirement home, we shall devote a large portion of the parlor to our Jarvis Shrine. I hope Cory doesn’t mind.
Yes, he is God